I really like learning things from my past and this book is a wonderful way to learn about my area's past. I live in West Virginia,or at least i used to. It is very educational if you can get into the book and if you are into ghost stories and the like.

I absolutely love this book. I am a ghost book enthusiast and this is my all time favorite. I am probably partial to it because it is about my home state. I read some stories that happened within 5 miles of my house.

The subtitle to this book is "Railroads, Deforestation, and Social Change in West Virginia 1880 - 1920." The principle reason for the deeply-embedded poverty in Central Appalachia is the fact that the region continues to be a colony of industrial powers. Beginning in the mid-19th century, iron, coal, railroad, and timber companies teamed with national, state, and local politicians to exploit the natural resources -- coal and timber -- and the people of Central Appalachia. The result was devastation of a culture, destruction of a people, and destruction of the environment. And, I am incorrect to use the past tense -- clear-cutting of forests continues and "mountain-top removal" mining continue to destroy the culture, communities, and landscape of Central Appalachia. Lewis' book is an excellent description of what happens when politicians and industrial leaders join in league to exploit a region.

Note that this book deals with events of 1880 - 1920 -- so why is it important today? Because what was done to Central Appalachia in that period is being done to the rest of us today under the guise of "economic globalization." For example, the people of McDowell County, WV, are powerless in the face of Norfolk Southern (railroad company) because NS owns 85 percent of the land in the county. Just exactly what do you think will happen when "global" corporations own the factories, the minerals, and the workers? The experience of Appalachia with industrial and political exploitation is the same experience that awaits all of us under "economic globalization."

I enjoy historical narratives about turn of the century logging in West Virginia. Many texts cover the economic aspects of logging in terms of the timber processed. Other books detail the milling process or the lifestyle of the lumberjack in the WV wilderness. However, this is the first book I have encountered that describes the social ramifications of the logging industry in defining the WV culture. Ronald Lewis has opened up new discussions of how early steam technology impacted the remote lifestyles of West Virginia. This book gives a fresh viewpoint that is needed in re-evaluating the romanticized description of Appalachian lumbering in the last century.

Well researched and enjoyable 108 pages (6th printing 2000) full of terrific WV logging railroad photos and useful maps. Covers WV logging history and iron horses; Includes chapters with many photos on the railroad operations of: Mower Lumber Co - WV Pulp & Paper; Elk River Coal & Lumber Co. - W.M. Ritter Co. - Georgia Pacific; Meadow River Lumber Co.; Cherry River Boom & Lumber Co.; Ely-Thomas Lumber Co; plus stories on Pardee & Curtin Lumber Co., Moore-Keppel Co., Beech Mountain Railroad and other railroads including Buffalo Creek & Gauley RR and West Virginia & Pittsburgh RR. Great for research as well as a pleasant and entertaining memory trip.

This book contans pictures, text and maps showing the location of and the trains that worked the logging railroads that penetrated the vast stands of hardwood lumber in the eastern part of the state of West Virginia.

You can still ride on one of them. The Cass Scenic Railroad climbs the mountain on switchbacks just like it did when they hauled timber down that same railroad. The book contains mostly black and white pictures, with a few in color in the very back. It also discusses the main types of logging locomotives, the Shay, the Heisler and the Climax. All were "geared locomotives" meaning that the pistons drove a driveshaft that was linked by gears to all the axles. They were slow, they made a lot of noise because the pistons moved faster than the train seemed to move due to the gearing.

The Elk River Coal and Lumber Co. Shays ususlly crossed the creeks with out the aid of bridges and the cover painting depicts one doing just that! Why bother to build bridges that you were going to abandon in a few months anyway?

I have been to Cass and ridden up the mountain behind a Shay and the pictures brought it all to life again.

The world will not see the likes of the mountain lumber railroads again and this book explains it very well.

There is one picture showing many acres of stacked hardwood in the edge of Rainelle, WVA in 1952 that you will not see the like of again.

While the book is just over 116 pages long, it is a gem and if you can find a copy GRAB IT. The Author Karen Karper was a member of the Poor Clares often associated as the female branch of what St Francis of Assisi started the Franciscans. In 1989 she opted to take a leave from the monastery to attempt a life of solitary and frugality. With a ten year old Bronco and a small amount of money she set out. She had no idea where she was going. At the request of two Nuns who lived in an Appalachian Valley area called Colt Run holler (Spencer W Virginia) she accepted their invitation to visit. This would be her welcome to what would become a way of life. Learning to live amongst people who did not know many Catholics, not to mention learning to use an outhouse, pump water and deal with everything from ankle deep mud to snakes (copperheads)in the wood pile. She writes about getting enough money to drill a new well, since the old one was unhealthy. To learning to literally do everything herself, be it repairing tin roofs, or trying to grow a garden. Learning that there is solitude and then there is solitude. That living as a woman alone on a remote area would test ones faith in God as far as protection and wisdom goes. Any woman who wants to see that being over the age of 40 or 50 doesn't need to stop you from testing yourself will love this book. It has a nice Thomas Merton Zen feel and a Mother Earth News feel that I especially appreciated.

And this is a book that I read and re-read on a rainy or sunny day and a book that changes my life everytime I read it.

This book is wonderful for anyone who seeks a short period of quiet in the midst of their busy day-to-day life. As a writer and someone who loves nature, I found amazing connections in Sister Karper's story, despite the fact that our lives are obviously very different. This book took me to the mountains of Appalachia, and made me want to stay there forever--with plumbing, however!

REVIEW: Wild Sweet Notes Fifty Years of West Virginia Poetry 1950-1999, 418 pages Publisher's Place, Inc., Huntington, W. Va. www.publishersplace.org

Today, for many people, home is a state of mind. Home of the past and the home of the future. "Wild Sweet Notes," Fifty Years of West Virginia Poetry l950-1999, edited by Barbara Smith and Kirk Judd is a literary treasure for not only West Virginians and others of the Appalachian region, but for readers of poetry and prose of any geographic locale. This collection contains a rich texture where universal themes are rendered with evocative voices.

The editors are to be complimented on their artful selections and placement of this diverse range of poetry and bringing together a cohesive book of superb quality. Certainly, the pride of West Virginia comes through; and as a West Virginian, I feel there is much to celebrate with this publication. The writers represented cry out on issues that are all about humanity.

The word "confluence" comes to mind--a word that the late Willie Norris used to describe his world of the South. Yes, there is a confluence in this collection where the personal becomes public and the public becomes personal because of the intense commitment to the landscape, family, and friends. A strong appreciation exists for what money can't buy--the feeling that a person is a part of something larger than the self.

Several of these writers have a national reputation as poets and as writers of fiction and nonfiction. However, every writer represented in this book is equally worthy and deserves the highest praise and recognition. Reading this book you say to yourself, "One is as outstanding as the other." When I studied creative writing with Lester Goran (Isaac Singer's translator) at the University of Miami, Goran repeatedly said, "The arts are not about a democratic process." It took a few years of experience writing and submitting my work to appreciate his words. Thus, I believe in giving equal tribute and praise when deserved, and I particularly feel this way in regard to this anthology.

Striking images appear in the late David Jarvis' poems that breathe with keen observation and emotion. I have a bias for what he created having read his chapbook, The Born Again Tourist. Jarvis' work leaves much for the reader to complete in his or her own mind. It is the same kind of feeling that I have when I view a Walker Evans photograph. Following is an excerpt:

Sometimes I hear them call my name at night.

Why do they make me wear these chains

And stake me to this land,

Land stained with their sweat and blood

And rich with their bones

This faceless choir that's chanting now from mountaintops

An ageless aria that penetrates the rock

And writes through hollows

Where streams rush like their ancient bloodlines. ***

Joseph W. Caldwell's, "BELLS ON PARCHMENT CREEK" resonates with an immediacy of the kind that lasts for decades, and you sense it will be handed down to the next generation as an historical document. Excerpts of the first and last stanzas are as follows. (Stanzas two and three are extraordinary in lending to the development of this poem but are omitted here because I believe it is unfair to reveal too much in a review).

ON THAT FEBRUARY MORNING

DINNER BELLS SURGED AND SWELLED ALONG THE CREEK

CARRYING SHARPLY IN THIN AIR,

SENDING THE WORD SOMETHING

HAD HAPPENED AT THE HANNING FARM.

EIGHTY-NINE YEARS LATER

SHE RETELLS THIS STORY

ABOUT A MOTHER SHE HARDLY KNEW,

AND THE BELLS STILL TOLLING.

Barbara Smith's Apple Pie Dying has a personal quality, the kind of a reflective conversation where, as the reader, you feel she is conversing with you and sharing intimate thoughts. She causes you to pause and think about your own life. An excerpt of the first stanza is as follows:

How I wish I had been with her

As she measured the flour and the salt,

Cut in the shortening

And sprinkled on water,

Baling the dough,

Rolling it out, lifting it--

Peeling the applies, slicing them

Spicing them and crimping the crust,

Listening to Paul Harvey or Cokie Roberts

Or Oprah in the background,

Mopping the floor and changing the beds,

Filling the birdfeeder while the pastries were baking,

Then cooling, then being basketed and backseated

And on to the church.

In Wilma Stanley Acree 's "At Honanki," she takes you on a journey with her where you examine the vastness of space and time--understanding that which flees and what still remains. An excerpt from the first stanza is as follows:

At Honanki (the Badger House)

the guide,

Arizona Hopi face

framed by gray braids,

leans against the red cliffs,

points at the pictograph, and recites, "This is

Kokopelli,

the Sinagua symbol

of fertility,

fertility of soil,

of woman,

of action and thought.

See the raindrops he scatters."

One of the most compelling pieces I have ever run across on the importance and the beauty of the written words comes in Grace Cavalieri's poem entitled Letter. This will be a piece that I will read at my writing workshops at The New School, in New York City where I teach. Excerpts are as follows:

If you ask what brings us here,

starting out of our lives

like animals in high grass,

I'd say it was what we had in common

with the others--the hum of a song we

believe in which can't be heard,

the sound of our own

luminous bodies rising just behind the hill,

the dream of a light which won't go out,

and a story we're never finished with.

We talk of things we cannot comprehend

so that you'll know about

the inner and the outer world which are the same.

Someone has to be with us in this,

and if you are, then,

you know us best. And I mean all of us

the deer who leaves his marks behind him

in the snow, the red fox moving through the woods.

The poetry and prose that is here is accessible and creative in form. This book can serve many purposes--the main one for the pure and simple joy found in reading. It also makes a lovely gift, which is how I came to know this book. It was given to me as a birthday gift from my brother, Sam Kessell, and Larry Halsted. They also happen to be friends with the late David Jarvis' brother. A West Virginia heritage is like that--we find one another, one way or the other, sooner or later. On another level,"Wild Sweet Notes," has tremendous academic and historical value, which can make a strong contribution in an academic setting. The voices are authentic, direct, and powerful. They serve as excellent examples of fine writing in terms of language and form.

--Reviewed by Mary Sue Kessell Rosen

Bio: I teach writing workshops The New School in New York City (An Essay Writing Workshop and The Bloodroot of Our Voices Workshop, a multi genre course).

Wild Sweet Notes: Fifty Years of West Virginia Poetry leaves me in awe of the poetic achievements of West Virginia writers. Rarely does a poetry collection read as compellingly as a novel and possess the same power to hold a reader so strongly in its grip that it is nearly impossible to put the book down. But Wild Sweet Notes accomplishes this and more and in the process reveals that West Virginia is not an intellectual and cultural black hole but rather a place where poetry is a natural and necessary response to life in a harsh, unyielding and sometimes strange place. These poets could all be Welsh given the way they see and feel and touch their world and let it touch them; the way they use language and the music of words to capture the experience of the mines and miners, the black and barren waste of land and men, the mystery of the back-woods hollows and mountains and people who live there, the dreams of the young and the memories of the aged. West Virginia surprises the visitor in many ways - its beauty, its drama, the tenacity and strength of its people, its landscape where nature nurtures and destroys. It is a land where appearances are illusions, where the man who runs the little roadside grocery could have the wisdom of a sage and the heart of a poet. But who would know it from his rumpled clothes, his weathered face and gnarled hands, except perhaps by looking into his eyes and reading what they have to say. Wild Sweet Notes is not a simplistic down-home collection of local poetry, but rather a universal journey through time, the mind, landscapes, essences, and the enduring spirit of people and a place so little known, so misrepresented and so misunderstood. Few poetry collections are as satisfying, moving, enlightening and rewarding as Wild Sweet Notes.

I found the book well written, with Ms Roberts' delivering a colorful portrayal of western history. As a resident of the Nogales - Patagonia - Sonoita area I found her work verifiable and acurate, providing myself and by family a valuable source of information on our local history.

A side note: The Pennington family homestead was recently rediscovered and preservation efforts will hopefully save the remaining structure.

This book was extremely excellent, and life-like. Ms. Virginia Culin Roberts did an excellent job writing this book. Way to go Virginia!

In the pages of Best Of The Best From West Virginia Cookbook, culinary experts and editors Gwen McKee and Barbara Mosely have gathered together under one cover more than 350 superb recipes drawn from (and showcasing) fifty-seven West Virginia based cookbooks. From Dora Mae's Southern Corn Pone (Keaton Mills Family Cookbook); White Grass Chili (White Grass Cafe Cross Country Cooking); and Glazed Apple Slices and Carrots (For the Love of Kids); to West Virginia Gold Cake (Serving Our Best); The Greenbrier's Beef Stroganoff (Christ Reformed Church Historical Cookbook); and Strawberry Wonderful (Generations), Best Of The Best From West Virginia Cookbook truly lives up to its title and claim. Of special interest for cookbook collectors is the "Catalog of Contributing Cookbooks" appendices.

I strongly suggest Buffalo Creek to those who have survived "leverage buyouts" and "corporate veils." There truely is a full circle

Chairman Bud Shuster's novels have run the gamut, from the tender growing up story of "Double Buckeyes" to the tragic relationship of "Secret Harvest." In "Chances" Shuster explores the world of the pioneers of the modern computer industry and their often rags-to-riches roots. Shuster, a computer industry pioneer himself, is on sure ground and delivers a novel one can read again and again. His best work yet, only to be surpassed by his memoirs should he choose to publish them. Kudos to Shuster!

Whether you have 2 pieces or 200 pieces of Fiestaware, this is the best handbook around. The Huxfords explain Fiestaware's history thoroughly. The collector will also be grateful for the many beautiful pix and credible pricing guidelines. As my dog-eared copy can attest, the guidebook will become your best friend when Fiesta shopping!
I give this book a 10, but I hope the next edition - which is rumored to be out in 1998 - will address the new Fiesta line as some colors are now very collectible.